Friday morning, I woke up at 5 am and arrived at the set at 6:30 am. I figured at this point I had only about 20 or so hours of sleep this week, but was still excited with anticipation of the days activities.
We park our cars at the lot near Bobcat arena and take a shuttle bus over to Memorial Stadium. The bus driver has a large jar i the front of his bus for two police officers slain in the line of duty in Charlotte a few weeks ago. He asks for donations to the almost full jar.
When I arrrive, I go to a table where the casting director's staff has us fill out our daily forms or timesheets with name ss@ etc. At the top of the form it says we are working on Leatherheads from Speakeasy Productions.
By the time I am dressed, coiffed and put my sunscreen on, I arrive at extra's holding at about7 am. I have my food and then sit with others and talk about today's activities. We are told they are adding an extra day of shooting on Tuesday.
In the morning, my first shots are fan in the stands. We end up cheering, booing etc.
The day is fairly uneventful until the end of the day. The last shot of the day I am a photographer again on the visiting team sidelines. I am at the 40 yard line standing near the sidelines. One of the assistant direcots comes up to me and tells me to move back behind the team bench about 10 feet off of the firld. He places other extras in specific places as well. I am thinking I will be more of a background player again.
Then all of a sudden, he places the Head Coach of the team to my right and the team mascot and trainer are nearby as well. The Head Coach, played by Wayne Duvall (Robert Dubal's cousin)is a fiarly large man which a deep luud voice you would expect from coaches.
The next thig I see are the two cameras in front of us with all the direcors sitting in back including George Clooney as he is not in this scene as an actor. Tape measures are run from the cameras to us to measure the focial point so we will be in focus. There is also a camera on a golf cart type vehicle that will be going down the sidelines. Now I realize why we were put back behind the benches. It needed the space to ride inside the sidelines.
We then do about 4 or 5 takes of this shot. In one of them the coach takes the old camera I use as a photographer and starts to look at it and pretend to talk to me.
I realize now that this is even a better chance for me to appear in the movie with a close up from 3 camera angles. I turn to the actors to my left and say..."it doesn't get any better than this".